Safavid Empire

Safavid Empire
Main article: Safavids

Shah Suleiman I and his courtiers, Isfahan, 1670. Painter is Ali Qoli Jabbador, and is kept at The St. Petersburg Institute of Oriental Studies in Russia, ever since it was acquired by Tsar Nicholas II. Note the two Georgian figures with their names at the top left.The Safavids (Persian: صفویان) were an Iranian dynasty from Iranian Azarbaijan that ruled from 1501 to 1736, and which established Twelver Shi'a Islam as Iran's official religion and united its provinces under a single Iranian sovereignty, thereby reigniting the Persian identity.


Although claiming to be the descendants of Ali ibn Abu Talib, the Safavids were originally Sunni (the name "Safavid" comes from a Sufi order called Safavi). Their origins go back to Firuz Shah Zarrinkolah, an Iranian local dignitary from Iran's north. During their rule, the Safavids recognized Twelver Shi'a Islam as the State religion, thus giving Iran a separate identity from its Sunni neighbours.

In 1524, Tahmasp acceded to the throne, initiating a revival of the arts in the region. Carpet making became a major industry, gaining new importance in Iran's cities. But the finest of all artistic revivals was the commissioning of the Shahnama. The Shahnama was meant to glorify the reign of the Shah through artistic means. The two-volume copy contained 258 large paintings to illustrate the works of Firdawsi, a Persian poet. The Shah also prohibited the drinking of wine, forbade the use of hashish and ordered the removal of gambling casinos, taverns and brothels.

Tahmasp's grandson, Shah Abbas I, also managed to increase the glory of the empire. Abbas restored the shrine of the eighth Twelver Shi'a Imam, Ali al-Ridha at Mashhad, and restored the dynastic shrine at Ardabil. Both shrines received jewelry, fine manuscripts and Chinese porcelains. Abbas also moved the empire's capital to Isfahan, revived old ports, and established thriving trade with the Europeans. Amongst Abbas's most visible cultural achievements was the construction of Naqsh-e Jahan Square ("Design of the World"). The plaza, located near a Friday mosque, covered 20 acres (81,000 m2), thus dwarfing Piazza San Marco and St. Peter's Square.[27]